![]() The RB250 will function on thé Linn though lm not sure what real benefits youll make over your present arm.īetter midrange I imagine and a slightly more controlled bass reaction. So my second question is usually, can a completely modded RB250 cope with a decent MC Today when I say good MC, what I have in thoughts is something like the sticking with: Protection 501 MK-II, Benz Micro Ace, AT 0C9-ML II, ánd Dynavcector Karat 17d MKII Any assist will be gratefully obtained, kindest thanks a lot in progress -Rav. So when you venture above the foothiIls of the phóno planet, it seems to be MCs all the method. When it arrives to phono carts, there seems to become cap on the overall performance of MM carts, with carts like the Shure Sixth is v getting an illustration of an supreme MM. I will possibly move for a fully modded RB250, so that indicates structural mod, inside and outdoor wires and slotted hand tube.įirst issue, is definitely the moddéd RB250 a great go with for thé LP12, or was I barking up the wrong tree Second question. Today since money are limited I am considering of a Beginning Live altered Rega RB250, or a Mitchel Technoarm (furthermore a RB250 variant). Having stated all of the over, I would including to up grade my current vinyl set up, starting with the tonearm. Now I have always been more than happy to stick with thé Linn LP12, I know its features and although there are usually newer more superior TTs out presently there, bottom line is that I experience I can reside with thé LP12 as a system for my vinyl listening. In common I discover vinyl significantly more participating with older recordings, and furthermore much more forgiving of poor recordings (like my Battle cds)). I would also perhaps like to buy some more used plastic, if I can find it in reasonable quality. In the moderate expression I would like to obtain back to listening to my plastic. Now from my pre-CD times, I have got a realistic selection of LP information. One various other detail will be that my LP12 is definitely of the kind that has strengthened plinth corner braces fitted from the factory. This I had already found out for myself.Furthermore I should mention at the minute I have a Akitó (MK1) tonearm, ánd a Nagaoka-StiIton TS-12 Boron MM container (1993 classic, but hardly ever utilized). A forum topic I subsequently read suggested that the Rega's magnetic anti-skate scaling (as equivalent VTF) is at best "approximate", and suggests in reality using about one third to half the value as marked on the scale. Similarly, the anti-skate has to be right as well, or the same sort of effect occurs re left versus right channels. The end result is slightly under 1.8g and it sounds absolutely superb IMHO. get a small piece of card folded into an upside down 'U' to go on top of the digi-scales platform, after finding out what's the actual height where the stylus would normally sit on a record. ![]() However I was then advised to do this a different way, as the above illustrated was simply not accurate enough, i.e. Experiments with little bits of blu-tack stuck to the headshell or alternatively the counterweight indicated more VTF made it duller. Initially it was still bass heavy and "summat not quite right" at the top end. For the Nagoaka MP10 cartridge the stylus weight is critical, must not exceed 1.8g else the treble goes AWOL. ![]()
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